Category Archives: literary terms

It Takes A Tribe

What’s more fun than a barrel of monkeys?

Speaking before a tribe of writers!

See you in Colorado Springs May 2-5…

https://pikespeakwriters.com/ppwc/

Leave a comment

Filed under books, English language, grammar, literary terms, publishing, speaking, Uncategorized, writing, writing conferences

Note to self (publishers)

I’m not opposed to self-publishing. I am, however, averse to self-publishing without professional editing (not to mention formatting, layout, and cover design). Improper grammar, punctuation, spelling, capitalization … well, the list goes on and on.

Now while some of the rules (of grammar, punctuation, spelling, and capitalization, etc.) can be difficult to remember, or confusing to follow (hence, the need for a pro), a few things can make a big difference in the very first pages and can be taken care of as easy as 1-2-3.

(1) Should you wish to spew thanks and accolades to those who supported your writing endeavor, do so in the Acknowledgments … not Acknowledgements. No third “e.”

(2) Words or thoughts at the beginning of the book (by someone else) are on a page labeled Foreword, not Forward. The words before the story. Get it?

(3) And what about a Prologue? Most, if not all, spell the word correctly, so that isn’t the issue. The real problem is the prologue itself. Generally agents, publishers, and readers don’t like ‘em. The prologue tends to become an easy way to dump information without finesse. Readers are impatient to get to the story … and figure they can go back if they need to, which I’m betting they don’t do often. If the information is that good and that important to the story, make it Chapter 1.

Epilogue? Later.

Leave a comment

Filed under books, English language, grammar, literary terms, publishing, writing

Feast on This

Leave a comment

Filed under books, grammar, literary terms, publishing, writing

Spring Cleaning

For many of us, warmer weather inspires us to want to clean out closets, wash windows, declutter. And with the latest onslaught of “organizing” books and blogs telling us to let go of items we don’t use, don’t wear, or don’t really like, the message is clear: use it or lose it.

I realized that this also applies to writing and to my efforts in editing. The goal is the same: help writers organize their thoughts, declutter their stories, and clarify their meaning. To put in more tangible, spring-cleaning terms:clothes

  1. Like washing windows, choose words and use words that sparkle and allow the light to come in. Instead of “She ran around the room making sure everyone was comfortable” … “She fluttered …”
  1. Donate (or delete) words that take up space. “… with a smile on his face” is just as effective using “… with a smile.”
  1. Throw away worn-out phrases like, “Her eyes twinkled like diamonds,” “Little did he know,” “Needless to say,” blah blah blah.
  1. Say goodbye to that old sweatshirt (your go-to favorite words) that you unwittingly sprinkle throughout your manuscript. This is tough, because you probably don’t even realize how often you are using your favorite words, but they usually pop out to me when I’m editing. They can be anything from “just,” “so,” “that,” to “quickly,” “suddenly,” “longingly,” or any “ly” words.
  1. If it doesn’t fit, don’t force it (or save it until you lose those ten pounds). That is, pulling out the thesaurus to find a word for “happy” sounds like a good idea, but replacing it with “jubilant” or “whimsical” might be overdoing it. Use alternatives with care.
  1. Maybe go-go boots and polyester pantsuits work at a 70s costume party, but they don’t fit well in today’s world. Same with words; be sure to use words and phrases that reflect the time period. Writing “on the world wide web” is awkward now, just as “swipe right” doesn’t mean a thing to that go-go dancer.

Good luck – and good riddance!

 

Leave a comment

Filed under books, English language, grammar, literary terms, reading, writing

Teed off

If you don’t know what’s wrong with this picture (or rather, T-shirt) and you intend to write

—a literary masterpiece or a letter to Grandma—you need an editor.

Call me.dumb

Leave a comment

Filed under English language, grammar, literary terms, publishing, punctuation, reading, spell check, writing

En-TITLE-ment

Recent chatter about copyright infringement concerning music (see Spirit’s “Taurus” vs. Zeppelin’s “Stairway to Heaven” or Robin Thicke and Pharrell Williams “Blurred Lines” vs. Marvin Gaye’s “Gotta Give it Up”) has reignited discussion of copyright issues in the literary world.

According to the Berne Convention (the international source for copyright law), your original manuscript is protected by copyright as soon as it is fixed in tangible form. That is, the moment your great American novel is written—on paper or your computer—you’re copyrighted. For how long, you ask? In the USA and much of Europe, it’s the creator’s lifetime plus 70 years.

But here’s the funny thing; book titles are not protected by U.S. copyright laws.

grace 4To qualify for such protection, a work needs to possess “a significant amount of original expression” and the courts have ruled that expressions as short as book titles do not qualify. (That’s why, when my book club pals had heard about a great book with the words “Ordinary Grace” in the title, we had to get more specific; there are almost 2,500 books to choose from!)

This doesn’t mean, however, that you can name your book Fifty Shades of Grey. Some titles qualify for trademark protection (series titles like The Girl with the Dragon Tattoo, Twilight, etc.) if the grace 3books become successful enough to be considered recognizable brands. A trademark protects words, phrases, symbols, or designs that identify the source of the goods or services of one party and distinguish them from others.

So, while it would so clever to title your new cookbook, The Hunger Games, you can’t. But if you name it, A Place at the Table, nothing’s stopping you, except for the fact that 6 other writers have already done so. (Our book club read the version by Susan Rebecca White, if you’re interested.) I’d recommend coming up with some other imaginative wording – it avoids confusion. What if your fans buy the wrong book? Why help someone else have a best seller?grace 1

By the way, our book club chose the Ordinary Grace by William Kent Krueger. Thumbs up.

 

2 Comments

Filed under books, English language, literary terms, publishing, reading, Uncategorized, writing

Living Your Dash

As I try to wrap my head around the loss of my friend and mentor, former publisher Carolyn Hayes Uber, and attempt to describe her influence, her persona, her life, I am struck by a remark I heard just today that helps put everything in perspective. And the fact that this remark mentions a common editing term (the dash), is serendipitous. Carolyn would be tickled.

abyssIn the documentary Into the Abyss, director Werner Herzog interviews Fred Allen, who explains his role in executions as the former captain of the Death House team at the Polunsky prison unit in Livingston, Texas. Allen is clearly conflicted (eventually resigning his post), as he sees the lives of inmates reduced to numbers: 1954 – 2011, for example. He realizes and explains, quite eloquently, that our lives are not reflected in a birthdate or date of passing, but the dash in between. (Granted, it’s really a hyphen, but I’m not here to edit today.) Mr. Allen then asks, How are you going to live your dash?

Which brings me back to Carolyn, who lived her dash with courage and strength and humor and love. So for Carolyn and my father and my “adopted” mother Patricia and other dear friends who are no longer here, I will live my dash, really live it… bravely, respectfully, happily. I hope you will, too.

 

 

Leave a comment

Filed under books, English language, grammar, literary terms, publishing, punctuation, reading, writing