I can’t recall ever wanting to comment on a tv, movie, or video series, but after watching 9 of 10 episodes of the first season of Netflix’ MINDHUNTER, I feel compelled to spew forth kudos and congratulations in an effort (however small and insignificant) to assure there is a season two, three, four … well, you get the idea.
The fact that I’ve watched “only” 9 of the 10 episodes of season one is not an indication of my disinterest. Quite the contrary. I’ve purposefully and painfully contained myself to watching only one episode a day in order to delay the season’s demise and extend my gratification. Not sure whether to call it discipline or masochism, but regardless, MINDHUNTER is magnificent.
The basis for the series, from the book of the same name by John Douglas, is fascinating (rather than regurgitate a summary, google it), the cast is superb and surprisingly, not necessarily household names (again, google…), but most important to me – and the reason for my devotion – is the writing. The script is absolutely perfect. Like the recipe for a cake or the architectural plans for a house where each measurement is calculated for a specific outcome, the dialogue is so exact that each and every word sounds and feels like the only possible word that could be spoken. I found myself not only wanting to listen, but to write down everything I heard.
Granted, I’m already a true crime addict, so the theme of dissecting the minds of serial killers is my version of candy. For those who get squeamish on the subject of deviant and depraved behavior, this series could cause extreme emotional disturbance. Regardless, if you’re willing to take a walk down the dark alley to experience and appreciate the skill of MINDHUNTER’s storytelling, I believe your own writing will be the better for it.
You might not sleep well (if at all), but just think… you can use all those wide-awake hours to scribble something spectacular. #mindhunter #mindblowing
You’ve probably seen the sign for “jumbo shrimp” and laughed at the obvious incongruity, but have you paid attention to the oxymorons in stories you read … or stories you write?
I’ve been keeping a list as I run across these wacky word combos, and thought it was time to share. They are in random order, which, I hope you can see, is exactly my point. While they’re entertaining, I suggest NOT using them in your literary masterpieces.
For instance, if your bank robber is brandishing a dangerous weapon, I ask you (gently), is there such a thing as a weapon that is not dangerous? Your star-crossed lovers get an unexpected surprise; tell me, isn’t a surprise supposed to be unexpected? Wouldn’t an expected surprise defeat the purpose?
Mysteries and horror stories often have an uninvited guest (stomping about in the attic). Help me understand this; a guest is invited, yes? I think uninvited is an intruder!
Is your hero on an adventure or involved in a secret mission and finds him or herself in a tight squeeze? I wonder what other kind of squeeze there could be. Of course, your character could be clearly delusional. How about strangely delusional or clear and coherent… but not both, eh?
Should you be writing a cookbook or diet book, perhaps you can explain diet ice cream, Kosher ham (really?) and in the section on portion control … the bigger half. If you can, you are eligible for a free gift.
Though I’m dialed into correct grammar, punctuation, etc. in their written form, I am also sensitive to correct grammar and pronunciation in the spoken word.
So imagine my disappointment when I tuned into one of the new “hot” shows on television — Murder in the First — only to hear not one, but two characters (a judge and a criminal defense attorney) refer to the Burning Man Festival in Nev-ah-da, not Nevada.
Granted, I’m probably more aware of this faux pas because of having lived in the silver state for many years, but still, doesn’t anyone do their homework?